WHERE THE COPPER HILLS MEET THE SALT WATER

Six generations of faithful Latter-Day Saints (Mormons) came before me and thirty-one of my ancestors walked across the plains to settle the Salt Lake Valley in 1847. Where the Copper Hills Meet the Salt Water is an investigation into the systems at play in my suburban Mountain West upbringing, two of which include The Church of Jesus Christ of Latter-Day Saints and the Bingham Canyon Copper Mine (AKA Kennecott). The below works draw on personal experience, family archives, ephemera, materials local to the Salt Lake Valley, and research on the American Frontier and its role in catapulting early settlement claims into systems of unbridled wealth and power with wide-reaching societal, cultural, familial, and individual implications.

I Will Tell You in Your Heart and in Your Mind, 2024

Oil on wood carving, ephemera

6 x 12 inches

“I was a Mom for my work Halloween party because that’s all I ever wanted to be when I grew up”, 2025

Photo on panel and oil on copper sheet

8 x 10 x 3.5 inches

Within and Without, 2024

Oil on panel (diptych)

8 x 13 inches

"Whosoever shall lose his life shall preserve it (“I’m glad I finally got laid off because I might have worked there my whole life”), 2024

Oil on panel, copper pipe

5 x 7 x 2.5 inches

"He that loveth father or mother more than me is not worthy of me: and he that loveth son or daughter more than me is not worthy of me." 2025

Copper pipe, UV-printed copper mesh, fabric photo print

29 x 29 x 18 inches

Apostasy, 2025

Copper pipe, copper mesh, photo print

9 x 15 inches

Opposition in All Things, 2024

9 x 10 inches

Photo on panel, ephemera

Oh God, Hear the Words of My Mouth, 2025

24 x 36 inches

Oil on fabric photo print

Cold Countenance, 2024

13.5 x 10 inches

Photo on panel

"I Belong to the Church of Jesus Christ of Latter-Day Saints" (Mormon Mood Board), 2025

18 x 48 inches

Photo collage on panel